10/31/2022 0 Comments Youtube beanie sigel![]() The tracks build on each other, swirling into a symphony of pain, a fitting soundtrack to one man's dark days. Even "Gotta Have It", the album's only remotely club-ready track, drowns in an ugly, metallic synth wash. On "Wanted (On the Run)", da Neckbones give the chipmunk-soul treatment to Bon Jovi's "Wanted Dead or Alive", mining that track's theatrical sweep with stunningly funky results. Ty Fyffe slathers "Change" in swooning, melodramatic violins. On "Feel It in the Air", producer Heavy D has nothing but mournful noir saxophones for ya, baby. Like Ghostface's The Pretty Toney Album, The B.Coming swims in the sad signifiers of 70s soul: glistening strings, weeping guitars, swollen horns. ![]() The album's producers weave a grand, sweeping tapestry to give Sigel's lament the heft and majesty it deserves. Meek Mill and The Games beef claimed a new victim - hip hop legend Beanie Sigel, who got knocked the hell out. But on the next track, the ominously cinematic "Flatline", he's snarling, "Had to try to show a nigga what the metal do/ But didn't succeed the nigga still breathing." Even on "Look at Me Now", his song for the haters, Sigel sounds defiant and weary there's not an ounce of joy in his voice. ![]() On the searing, gospel-infused track "Lord Have Mercy", he begs God for understanding and forgiveness: "I do my dirt so my kids can see heaven on earth/ But the pain on my heart weighs heavy, it hurt". "Wanted (On the Run)" is based on a standard rap theme- life on the lam- but Beans attacks the track like it was "Life During Wartime", breathlessly painting a bleak picture: "You never see the daylight/ Jakes get on your tail, never let 'em see the brake light"- a stark contrast from guest Cam'ron's blithe confidence. Fittingly, The B.Coming is suffused with a sense of dread and regret and emptiness. He could be inside for a long, long time. #Youtube beanie sigel trial#When that sentence ends, he'll stand trial for attempted murder. Only two things matter here: the production, which is masterful, and Beanie himself, a virtuoso of lonely, bitter desperation.īeans recorded the album in the weeks between being found guilty on a federal gun charge and beginning his one-year sentence. It's nice to have them around, but the album would not suffer at all without them. This Time mostly serves as a reminder of why he's troubled more than why he's great.The second thing you need to know about The B.Coming is that none of these guest verses is the least bit important to the success of the album. But to emerge from the hole his career has fallen into, Beanie needed to have dug deeper. ![]() #Youtube beanie sigel how to#Beanie has always threatened your life with more loving detail than just about any other rapper, and for connoisseurs of goonery, there are memorable lines here, like this helpful tutorial he provides on "Bad Boy Mack" on how to distinguish him from Craig Mack: "He put flava in ya ear/ I put a laser to your head." "No Hook", which nicks its reflexive hook, awkwardly, from the Jay-Z song of the same name, is first-class face-scrunch music. #Youtube beanie sigel full#He briefly acknowledges the ups and downs of the last few years on the title track- "I went from caviar dreams to champagne sippin'/ Back to Four Lokos/ Four wings fried crispy"- but apart from that, This Time is full of bars that Beanie could have written at any point in the last two or 10 years. He writes with hard economy about his two great subjects: poverty and desperation, pointing out to listeners the "teddy bears where niggas got took out" on his streets, letting his gaze fall on the old heads "sitting on crates, taking 40s to the face." He once memorably told listeners that he "ate sleep for dinner" most nights, and he has always written about scarcity with the vividness of someone who recalls that hunger still: "He can't hear what they teaching him in school, 'cause his stomach too loud, screaming, 'I need food,'" he raps on "Bang Bang Youth".įor a rapper who has always let us into his darkest, innermost thoughts, however, from the harrowing scared-straight prison classic "What Ya Life Like" through "Feel It in the Air", This Time is disappointingly skimpy on personal details. Beanie raps with bruising force and sneakily creative cadences, and his verses are things of beauty on paper as well. It's a rushed affair from start to finish, and it mostly serves to demonstrate the degree to which this great rapper has isolated himself.Īnd yet, his voice cuts through all of this static. He has always quoted Biggie liberally, but some of these raps are more Biggie quote than Beanie verse. The production surrounding him on This Time isn't just cheap-sounding, it's unimaginative, rote and generic, like Beanie prepared his verses ahead of time and then spent an afternoon matching them to random instrumentals sitting on his hard drive. For his longtime fans, then, This Time is poignant, not least of all because Beanie still sounds like himself: one of the hardest-hitting, soulful, and eloquent rappers of the last 15 years. ![]()
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